Nebraska Center for Writers

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THE BIG EMPTY: CONTEMPORARY NEBRASKA NONFICTION WRITERS
A DIFFERENT PLAIN: CONTEMPORARY NEBRASKA FICTION WRITERS
THIS IS NOT THE TROPICS



The Big Empty:
Contemporary Nebraska Nonfiction Writers
Copyright © 2007
by Ladette Randolph & Nina Shevchuk-Murray
U of Nebraska P
How to Buy

A vast, barren landscape or a place of subtle natural beauty; the middle of nowhere or the gateway to the cultural and historical riches of the West; many things to many people and a cipher to many more — the great state of Nebraska is by force of circumstances a place of possibilities. What these possibilities are and what they promise are precisely what the writers of The Big Empty tell us.
Exploring the state from its rural reaches to its urban engines, from its marvelous ecosystems to its myriad historical and cultural offerings, these narratives evoke Nebraska in all its facets. Writers as diverse as Ron Hansen, Ted Kooser, Michael Anania, Bob Kerrey, Mary Pipher, Delphine Red Shirt, and William Kloefkorn, among many others, bring a wealth of perspectives and styles to topics such as the Oregon Trail and the Cheyenne Exodus, farming and Internet cafés, politics, weather, and family secrets. The result is a portrait whose broad strokes and rich detail capture the mysterious character of Nebraska.
Contributors: Michael Anania, Ron Block, Alan Boye, Bob Gibson, Merrill Gilfillan, Ron Hansen, John Janovy Jr, Paul Johnsgard, Bryan Jones, Bob Kerrey, William Kloefkorn, Lisa Knopp, Ted Kooser, Kenneth Lincoln, Kem Luther, Mark Monroe, Mary Pipher, John Price, Delphine Red Shirt, Michael Rips, Bob Ross, Joe Starita, Ruth Thone, Jack Todd, Robert Vivian, Eamonn Wall, and Roger Welsch. — from the publisher


A Different Plain:
Contemporary Nebraska Fiction Writers
Copyright © 2004
by Ladette Randolph
U of Nebraska P
How to Buy

O Pioneers! was oh so long ago, and yet Willa Cather's masterpiece has proven to be an enduring template for readers' notions of Nebraska writing. The short stories collected here, so richly various in style, theme, and subject matter, should put an end to any such plain thinking about writing from this anything-but-plain state. Nebraska writers all, the authors explore the Midwest, a vastness of small towns, corn, cattle, football, and family businesses. They also venture far afield, to desolate western lives, crowded urban relationships, poignant couplings, comic families, and the worldly idiosyncrasies of characters everywhere. Whether about aging or coming-of-age, leave-taking or coming home, falling apart or finding love, these stories represent contemporary fiction at its best, from the high style of Richard Dooling's "Immortal Man" to Kent Haruf's soft-spoken "Dancing," from Ron Hansen's "My Communist" to Jonis Agee's earthy, offbeat "Binding the Devil." Original, spirited, and surprising, these contemporary writings depict a modern world on the move and extend the tradition of great fiction from Nebraska into the twenty-first century. — from the publisher

In this fine new anthology, Ladette Randolph ... an accomplished short story writer herself, assembles a strong collection of stories all bound together by that familiar place on the national map that we call Nebraska. ... There are some real gems in this book. . . . Taken in its entirety, A Different Plain reminds readers that there is a whole other American literature that is often overlooked by those on either coast. — Bloomsbury Review


This Is Not the Tropics
Copyright © 2005
by Ladette Randolph
U of Wisconsin P
How to Buy

The stories collected in This Is Not the Tropics come from the geographic center of a divided nation, and its protagonists evoke a split personality — one half submerged in America's own diehard mythology, the other half searching to escape tradition. Together they form a portrait of the Plains that is both quirky and poignant. While the themes in this collection are familiar — love and betrayal, loneliness and regret, the needs of the individual versus the needs of the community — the stories themselves are startling and new. Whether it is the story of an eccentric, out-of-work accordion player; a woman ending a long marriage against the backdrop of a visit from her failing mother; a young girl who wishes to solve a mystery until real mystery enters her life; two sisters who watch as their mother battles an entire town, including their father; a man who comes to be suspicious of his new girlfriend's stalker story; or all of the men in a small Nebraska town who annually compete in a hilariously earnest beauty pageant, these are tales that speak of the lives lived in the small towns, the prairie cities, and on the dirt roads off blue highways in the middle of nowhere and everywhere. — from the publisher

Ladette Randolph's stories have the sly, subtle intensity of a snake gliding through grass. They sneak up on their characters and the reader alike, invoking humor, grace, and wisdom before pouncing on us with exhilarating epiphanies that are as dark and brutal as they are hopeful. — Meghan Daum

An accomplished, engaging debut collection that displays an impressive range. These are wise, heartfelt, and graceful stories. — Marly Swick

Ladette Randolph's stories sink their teeth into the deep Nebraska Midwest the way that Flannery O'Connor tore into the heart of Georgia. There's a wonderfully sly, deadpan sweetness at work here, so that it may take a moment to realize how odd and twisty the stories are. Randolph seems like such a nice, earnestly polite young woman — and then suddenly your wallet is missing and she's driving away in your car! These are beautifully crafty, beguiling stories: witty, wise, and wicked. — Dan Chaon

These are stories of compassion and surprising generosity, as characters who have been trapped find escape, who have been lonely find company, and who have endured loss face not sorrow, but transformation. — Erin McGraw

An utterly remarkable debut collection ... offers up a clear-eyed portrait of the Plains, marked by heartache, fear, loneliness and regret ... Quite honestly, this is the finest collection I've seen in years. — Publishers Weekly


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