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Screenwriter and film critic GWENDOLYN FOSTER
is an Associate Professor in the Department of English, University of Nebraska —
Lincoln, specializing in Film Studies, Cultural Studies, and Postfeminist Critical Theory.
Her original screenplays include
Squatters (1995), The Women Who Made the Movies, writer, director, producer (1992), and
Coming Attractions, co-writer, director, producer (1988).
Her recent books include Experimental Cinema: The Film Reader, with
Wheeler Dixon (Routledge, 2002),
Captive Bodies: Postcolonial Subjectivity in Cinema (State University of New York Press, 1999), and
Troping the Body: Etiquette, Conduct and Dialogic Performance (Southern Illinois University Press, 2000).
Forthcoming are the revised and updated American edition of Identity and Memory: The Films of Chantal Akerman
(Southern Illinois University Press, 2003) and Performing Whiteness (State University of New York Press, 2003).
She is
Editor-in-Chief of the Quarterly Review of Film and Video,
an internationally distributed quarterly academic journal on film studies.
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