SPRING 2011

ENG 120: WORLD LITERATURE I

COURSE SYLLABUS

  • Professor: Dr. Fidel Fajardo-Acosta
  • Course: ENG 120, Section M, CRN: 11841
  • Class Time: Tuesdays and Thursdays, 12:30-1:45 PM
  • Classroom: Harper 4053
  • Course Dates: Thursday January 13 - Friday, May 6, 2011
  • Office Hours: Tuesdays and Thursdays 11:30-12:00, 2:00-3:00, also Tuesday 5:00-5:30 (NOT Thursday), and by appointment (notice that posted office hours are subject to cancellation without previous notice, call to be sure)
  • Office: Creighton Hall (Administration Building) Room 139 B (first floor, by building's central stairwell, next to east side exit facing 24th St.)
  • Office Telephone: (402) 280-2522
  • e-mail: fajardo@creighton.edu
  • Home Pages:

COURSE DESCRIPTION

A study of representative works of world literature from Antiquity, the Middle Ages, and the Renaissance. The course emphasizes the study and consideration of the literary, cultural, and human significance of selected works of the Western and non-Western literary traditions. An important goal of the class is to promote an understanding of the works in their cultural/historical contexts and of the enduring human values which unite the different literary traditions. The course's pedagogy gives special attention to critical thinking and writing within a framework of cultural diversity as well as comparative and interdisciplinary analysis.

REQUIRED TEXTBOOKS AND OTHER MATERIALS

Texbooks available at the University Bookstore:

  • Paul Davis, Gary Harrison et al., eds., The Bedford Anthology of World Literature, Package A (Volumes 1, 2, 3) (Bedford / St. Martins, 2003). ISBN 0–312–40480–8
  • William Shakespeare, Hamlet (Folger Shakespeare Library/Washington Square Press, 2003), ISBN-10: 074347712X , ISBN-13: 978-0743477123
  • Miguel de Cervantes, Don Quixote, trans. John Rutherford (Penguin Classics, 2003), ISBN-10: 0142437239, ISBN-13: 978-0142437230

Online outlines on authors and texts studied in the course available at: http://fajardo-acosta.com/worldlit/

Readings not found in the textbooks or in the online outlines will be made available on Blueline (blueline.creighton.edu) (log on with your Creighton NetID as the username and the corresponding password)

 

COURSE REQUIREMENTS AND POLICIES

1) Two ONE-HOUR Exams (15 % each)

The exams will include questions engaging historical and cultural information, events, dates, geographical places, authors, texts, genres, characters, plots, interpretation, and other facts and details. Question formats may include multiple choice, short answer, short essay, map identifications, and other. Exams will cover the information offered in lectures, readings, and in the course's web outlines (available through the links in the online syllabus). Questions will test students' comprehension of the assigned readings and lectures, as well as command of textual and contextual facts as well as of historicized interpretations discussed in class. BOTH EXAMS WILL BE TAKEN BY STUDENTS ONLINE THROUGH THE BLUELINE SYSTEM. Students will be able to choose the specific time when they want to take the exam within an assigned range of days (see schedule below for EXAM 1 AND EXAM 2). NOTICE HOWEVER THIS IS A TIMED EXAM WHICH THE STUDENT MUST COMPLETE WITHIN A CONTINUOUS PERIOD OF ONE HOUR (ONCE YOU START IT YOU HAVE TO FINISH IT WITHIN AN HOUR)-- NO RETAKES ALLOWED EXCEPT IN CASES OF DOCUMENTED TECHNICAL PROBLEMS SUCH AS INTERNET CONNECTIVITY FAILURES OR COMPUTER CRASHES -- NOTICE ANY RETAKES WILL BE ASSESSED A POINT PENALTY (in order to avoid problems and grade penalties, it is strongly recommended you take the exam using a reliable computer and internet connection such as those provided by the university in computer labs and in the library). YOU ARE ALLOWED TO USE YOUR NOTES, ONLINE OUTLINES, AND TEXTBOOKS WHILE TAKING THE EXAM BUT YOU MAY NOT GIVE OR RECEIVE ASSISTANCE TO/FROM ANYONE AS THAT CONSTITUTES ACADEMIC DISHONESTY. ALL STUDENTS WILL BE REQUIRED TO SIGN A PLEDGE OF ACADEMIC HONESTY AT THE BEGINNING OF THE EXAM.

2) Essay (20%)

The essay assignment will ask students to read closely, analyze, and interpret a particular passage from one of the texts studied and/or develop a theme/issue related to the readings, lectures, or class discussions. For essay grading criteria see "Grading of Essays and Other Written Work". Students must follow the guidelines provided by the instructor (click here for details). For further information on the writing and grading of papers see Grading Standards and Procedures, and Grading of Essays and Other Written Work. Essay length will be around 3-5 pages (approximately 250 words per page, double spaced). Students will be offered the option of re-writing the essay after the first grading (see deadlines for Essay and Revised Essay -- the revision is not required -- the essay grade will be the higher of the two). All essays must be submitted electronically through Blueline in Word .doc or docx or Rich Text Format .rtf The essay must be contained in a single electronic file named YOURLASTNAME.YOURFIRSTNAME.doc, YOURLASTNAME.YOURFIRSTNAME.docx, or YOURLASTNAME.YOURFIRSTNAME.rtf (Macintosh users must make sure to check the "Append/Show File Extension" option when saving their file to ensure that it displays the appropriate .doc, .docx. or .rtf extension before uploading it to Blueline)

3) Term Project & Presentation (25%)

Each student will design and complete a term project on any aspect of the materials and fields of study of the course. Projects may take the form of PAPERS (5-10 PAGES), CREATIVE WRITING (ALSO 5-10 PAGES OF ORIGINAL FICTION OR POETRY), PAINTING, MUSIC, SCULPTURE, FILM, DANCE, PERFORMANCE PIECES, DOCUMENTARIES, WEBSITES, ETC.). Students are encouraged to be creative and imaginative and to choose material and media which are interesting and stimulating. Art works of all kinds are acceptable and encouraged provided they are relevant and provide insight into some aspect of the materials and historical periods studied -- written reflections accompanying creative projects and clarifying their nature and significance are welcome though not required. ALL PROJECTS MUST BE PERSONAL AND ORIGINAL AND MUST BE PRODUCED BY THE STUDENT FOR THE SPECIFIC PURPOSES OF THE CLASS. Recycling projects from other classes or attempting to use work not produced specifically for this course will be considered forms of academic dishonesty (see policy below). All projects must be approved by the instructor in advance (see Schedule below for project proposal deadline ). ALL PROJECTS MUST BE PRESENTED TO THE CLASS AT THE END OF THE TERM DURING THE WEEK OF FINAL EXAMS. PRESENTATIONS MUST BE NO LONGER THAN FIVE MINUTES(see Schedule below for dates of presentations). For their project presentations, students are encouraged to use media such as powerpoint slides or other audiovisual materials. NOTICE HOWEVER THAT A FIVE-MINUTE POWERPOINT PRESENTATION BY ITSELF IS NOT ACCEPTABLE AS THE ENTIRE PROJECT -- Powerpoint is a fine medium for a presentations accompanying a project and also the medium for the project itself but it must extend beyond the materials shown during the presentation. Notice this limitation does not apply to live performance pieces, though it is also recommended that students submit an outline or other written reflection clarifying the significance, connections, and relevance of the work to the materials studied in class. Students choosing to write a paper must follow the instructor's "Guidelines for Papers"). For further information on the writing and grading of papers see Grading Standards and Procedures, and Grading of Essays and Other Written Work. ALL PROJECTS MUST BE SUBMITTED IN ELECTRONIC FORM AND SHOULD BE UPLOADED TO BLUELINE -- UPLOADED PROJECTS WILL BE VIEWABLE TO ALL STUDENTS -- STUDENTS DOING ART WORK LIKE PAINTINGS, SCULPTURES, POSTERS, OR OTHER VISUAL DISPLAYS MUST SUBMIT DIGITAL PHOTOS OF THE WORK INCLUDING VARIOUS VIEWS OF THE ENTIRE WORK AND OF SIGNIFICANT DETAILS. Acceptable project e-formats include: Word docs, .rtf files, Powerpoint presentations, Excel spreadsheets, digital photos, .pdf files, links to websites, digital audio or video recordings, etc. -- if your file is very large (i.e. over 50 megabytes) you should post it online to a site of your own or a public site like YouTube or Prezi.com.

4) Participation and Other Performance (25%)

In addition to other grades, the instructor will assess and grade each student's overall accomplishment, development, and involvement in the course. This grade will take into account aspects of a student's performance such as class participation, preparation, contributions, effort, attentiveness, interest, improvement, responsibility, etc.

5) Out-of-Class Events

All students in the course are encouraged to attend recommended out-of-class events such as lectures, poetry/fiction readings, films, plays, exhibits, performances, etc. relevant to the understanding and appreciation of the course materials. Recommended events include the following:

  • "Image and Text: Visual Art as Context for World Literature"
    A presentation by Professor Cameron Dodworth
    Friday, February  18, 2011
    3:30 pm – 5 pm
    Harper Center, Room 3029

  • Day of Remembrance:  A Presentation by Professor Greg Robinson
    Tuesday, March 1, 2011
    7 pm – 9 pm
    Harper Center, Room TBA
    Co-Sponsors:  Committee for Lectures, Concerts & Films, Non-Western Grant Committee, American Studies Program, Office of Multicultural Affairs

  • “What the Heck is a Dumbek?: Music and Instrumental Demonstration, from the Medieval to the Baroque”
    Thursday, March 3, 2011
    5 pm – 6:30 pm
    Skutt Student Center, Room 105
    Co-Sponsor:  Committee for Lectures, Concerts & Films

  • "Research & the Novel: The Stories Behind 'The Cailiffs of
    Baghdad, Georgia'" by Professor Mary Helen Stefaniak
    (Attendance required for all students enrolled in World Literature II.  A DVD will be on reserve at the library for those who could not attend.)
    Monday, April 4, 2011
    3:30 pm – 5 pm
    Harper Center, Auditorium

  • World Literature Program
    Presentation of Student Works
    Date:  Some time at the end of April


  • Multicultural Events at Creighton: Diversity Calendar

6) Other Policies

Deadlines: Make-ups/extensions for a missed deadline will only be given in cases of documented serious illness or other valid, non-frivolous excuse (it will be up to the instructor to determine and decide on the acceptability of an excuse). Otherwise, students must meet all deadlines specified in the syllabus.

Attendance Policy: An attendance measurement will be calculated equal to the percentage of total class time attended. The course grade may not exceed that percentage (i.e. if a student attended only 75% of the total class time, the course grade may not be higher than 75 or C according to a 100-point scale where 90-100 = A, 87-89 = B+, 80-86 = B, 77-79 = C+, 70-76 = C, 60-69 = D, and 0-59 = F). Notice also that, at the discretion of the instructor, any student missing more than 30% of the total class time may fail the course. All absences, regardless of the reason, are taken into account in the calculation of the attendance percentage. NOTICE THIS POLICY HAS A BUILT-IN MARGIN OF TOLERANCE BUT ALL ABSENCES, REGARDLESS OF THE REASON, COUNT TOWARD THE ATTENDANCE POLICY. STUDENTS ARE WELCOME TO PROVIDE EXCUSES/EXPLANATIONS FOR AN ABSENCE AS A COURTESY TO THE INSTRUCTOR.

Academic Honesty and Class Conduct Policy: All students in the class are expected to observe the University's guidelines on student conduct as described in the Code of Conduct and Creighton University's Student Handbook (especially the section on "Academic Honesty Policy" dealing with problems of plagiarism, cheating, etc.). All work turned in for credit in this course must be personal and original, produced during the course of the semester and for the specific purposes and according to the guidelines of the given assignments. Any misrepresentations, concealments, or distortions of source, origin, collaboration or authorship of such materials will be considered forms of academic dishonesty and will result in failing the given assignment or, at the discretion of the instructor, the entire course. Problems such as repeated lateness arriving to class (or departing early), inattentiveness, or disruptive behavior will adversely affect attendance and/or the class participation grade. Seriously disruptive behavior can also result, at the discretion of the instructor, in more severe penalties, including failing the entire course.

Email Communication: The University considers a student's Creighton email address the official means of communication with faculty and administrators. All students are responsible for checking their email messages as they might contain important and time-sensitive information relevant to the course, including notifications on changes to reading and other assignments, deadlines, class cancellations or reschedulings, etc. A student who prefers to receive email at a different address must inform the instructor.

Special Needs or Accommodations: Any student requiring special arrangements or other accommodations, due to disabilities and or other special circumstances, is encouraged to request such arrangements from the instructor and the Office of Disability Accommodations.

Disruption of Normal Classroom Activities: In the unlikely event of disruption of normal classroom activities due to epidemic outbreaks or other dangerous medical conditions, natural disasters, severe weather conditions or other causes, the class will relocate to a vritual classroom in Blueline Blueline (https://blueline.creighton.edu) where lectures and discussions will continue as normally as possible. The instructor will contact students by email with specific instructions and details of the online class setting. Students are obligated to check their email and log on to Blueline regularly, and specially when unusual circumstances develop, to look for announcements in this respect. 

Grading
All aspects of the course will be graded on a 100-point scale where 90-100 = A, 87-89 = B+, 80-86 = B, 77-79 = C+, 70-76 = C, 60-69 = D, and 0-59 = F. For further information on grading see documents entitled "Grading Standards and Procedures" and "Grading of Essays and Other Written Work." At the discretion of the instructor, a normative curve may be applied to the grades at the end of the term. The course grade will be calculated according to the following formula:

Two Exams

30%

Essay

20%

Term Project and Presentation

25%

Participation and Other Performance

25%

Total

100%

 

SCHEDULE

All reading is due on the date indicated. Click on the author name and the text title in the online syllabus for factual information, terminology, and study questions. In addition to the online materials, students are also required to read the introductions and background materials in the textbook for all authors and texts studied.

Online outlines on authors and texts studied in the course available at:
http://fajardo-acosta.com/worldlit/
(click on the links in the schedule below to access the individual outlines)

Any readings not found in the textbooks or through the links in this syllabus will be available on Blueline(blueline.creighton.edu) (log on with your Creighton NetID as the username and the corresponding password)

Thu Jan 13

  • Reading and Interpretation of Literature:
    • Tales of Mirrors (read handout in Blueline)
    • The Meaning and Nature of Literature (read handout in Blueline)

ADVANCE WARNING: THE EPIC OF GILGAMESH IS SCHEDULED FOR DISCUSSION NEXT WEEK AND IS A SOMEWHAT LONG TEXT -- IT IS STRONGLY RECOMMENDED THAT YOU START READING IT NOW AND OVER THE WEEKEND.

Tue Jan 18

  • Timelines of Prehistory, Antiquity, the Middle Ages and the Renaissance (see Timelines folder in Blueline and look over the outlines provided there)
  • In the Beginning, Part I and II (read handouts in Blueline)

Thu Jan 20

  • Sumerian Literature, Mesopotamia

ADVANCE WARNING: HOMER'S ODYSSEY IS SCHEDULED FOR DISCUSSION NEXT WEEK AND IS A LONG TEXT -- IT IS STRONGLY RECOMMENDED THAT YOU START READING IT NOW. EVEN IF YOU HAVE READ IT IN THE PAST, YOU MUST RE-READ IT FOR THIS COURSE.

Tue Jan 25

Thu Jan 27

Tue Feb 01

Thu Feb 03

  • Ancient Greek Epic Poetry (read the text and introductions in the anthology and the linked online materials, notice separate links for the author and the text itself, click on both and also read the supporting handouts in Blueline)
    • Author: Homer, Text: Odyssey, (read pp. 247-258, 277-287, 421-768 in volume 1 of the anthology)

Tue Feb 8

Thu Feb 10

Tue Feb 15

  • Homer's Odyssey
  • ESSAY DUE. All essays must be submitted electronically through Blueline in Word .doc or docx or Rich Text Format .rtf The essay must be contained in a single electronic file named YOURLASTNAME.YOURFIRSTNAME.doc, YOURLASTNAME.YOURFIRSTNAME.docx, or YOURLASTNAME.YOURFIRSTNAME.rtf (Macintosh users must make sure to check the "Append/Show File Extension" option when saving their file to ensure that it displays the appropriate .doc, .docx. or .rtf extension before uploading it to Blueline)

Thu Feb 17

  • Ancient Egyptian Literature
    • "Hymn to Aten" (read pp. 104-108, 114-117 in volume 1 of the anthology)
    • Love Poems (read pp. 118-125)
    • "Tale of the Shipwrecked Sailor" (read handout in Blueline)
    • "Song of the Harper" (read handout in Blueline)

EXAM #1: DUE MONDAY FEBRUARY 21 AT 5:PM

THIS IS AN ONLINE EXAM AND WILL BE AVAILABLE IN BLUELINE STARTING ON THE FRIDAY BEFORE THE MONDAY DEADLINE -- NOTICE THE EXAM IS TIMED AND YOU MUST FINISH IT WITHIN A CONTINUOUS PERIOD OF ONE HOUR (ONCE YOU START IT YOU HAVE TO FINISH IT WITHIN THE ALLOWED HOUR)-- NO RETAKES ALLOWED EXCEPT IN CASES OF DOCUMENTED TECHNICAL PROBLEMS SUCH AS INTERNET CONNECTIVITY FAILURES OR COMPUTER CRASHES -- NOTICE ANY RETAKES WILL BE ASSESSED A POINT PENALTY (in order to avoid problems and grade penalties, it is strongly recommended you take the exam using a reliable computer and internet connection such as those provided by the university in computer labs and in the library). YOU ARE ALLOWED TO USE YOUR NOTES, ONLINE OUTLINES, AND TEXTBOOKS WHILE TAKING THE EXAM BUT YOU MAY NOT GIVE OR RECEIVE ASSISTANCE TO/FROM ANYONE AS THAT CONSTITUTES ACADEMIC DISHONESTY. ALL STUDENTS WILL BE REQUIRED TO SIGN A PLEDGE OF ACADEMIC HONESTY AT THE BEGINNING OF THE EXAM.

Tue Feb 22

  • Ancient Greek Love Poetry
    • Author: Sappho of Lesbos (read the poems in the handout in Blueline and also pp. 791-798 in volume 1 of the anthology)

Thu Feb 24

  • Ancient Greek Drama:

Tue Mar 01

Thu Mar 03

  • Ancient India: Hinduism and Buddhism
    • Bhagavad-Gita (read pp. 1323-1332, 1488-1514 in volume 1 of the anthology)

ADVANCE WARNING: DANTE'S INFERNO IS SCHEDULED FOR DISCUSSION AFTER THE BREAK AND IS A LONG AND DIFFICULT TEXT -- IT IS STRONGLY RECOMMENDED THAT YOU START READING IT NOW. EVEN IF YOU HAVE READ IT IN THE PAST, YOU MUST RE-READ IT FOR THIS COURSE.

Tue Mar 08

  • SPRING BREAK. NO CLASS

Thu Mar 10

  • SPRING BREAK. NO CLASS

Tue Mar 15

  • Medieval Japan: Noh Drama, Buddhism, and Shinto Ritual

ADVANCE WARNING: THE TERM PROJECT PROPOSAL IS DUE NEXT CLASS

Thu Mar 17

  • Medieval European Literature
    • Author: Dante, Text: Inferno, (read pp. 678-848 in volume 2 of the anthology)
    • Selections from the Bible's New Testament (read handouts in Blueline)
  • TERM PROJECT PROPOSAL DUE (brief one-paragraph explanation of project, including topic, medium/materials, ideas to be explored; submit through Blueline)

Tue Mar 22

Thu Mar 24

Tue Mar 29

  • Dante's Inferno
  • ESSAY REVISION DUE [THIS ASSIGNMENT IS OPTIONAL]. All essays must be submitted electronically through Blueline in Word .doc or docx or Rich Text Format .rtf The essay must be contained in a single electronic file named YOURLASTNAME.YOURFIRSTNAME.doc, YOURLASTNAME.YOURFIRSTNAME.docx, or YOURLASTNAME.YOURFIRSTNAME.rtf (Macintosh users must make sure to check the "Append/Show File Extension" option when saving their file to ensure that it displays the appropriate .doc, .docx. or .rtf extension before uploading it to Blueline)

Thu Mar 31

  • THE RENAISSANCE
    • Author: William Shakespeare, Text: Hamlet (notice this reading is not included in the anthology, you need to buy a separate text -- see the Required Texts list in this syllabus for details). YOU MUST READ THIS TEXT EVEN IF YOU HAVE READ OR STUDIED IT IN THE PAST

EXAM #2 : DUE MONDAY APRIL 4 AT 5:PM

THIS IS AN ONLINE EXAM AND WILL BE AVAILABLE IN BLUELINE STARTING ON THE FRIDAY BEFORE THE MONDAY DEADLINE -- NOTICE THE EXAM IS TIMED AND YOU MUST FINISH IT WITHIN A CONTINUOUS PERIOD OF ONE HOUR (ONCE YOU START IT YOU HAVE TO FINISH IT WITHIN THE ALLOWED HOUR)-- NO RETAKES ALLOWED EXCEPT IN CASES OF DOCUMENTED TECHNICAL PROBLEMS SUCH AS INTERNET CONNECTIVITY FAILURES OR COMPUTER CRASHES -- NOTICE ANY RETAKES WILL BE ASSESSED A POINT PENALTY (in order to avoid problems and grade penalties, it is strongly recommended you take the exam using a reliable computer and internet connection such as those provided by the university in computer labs and in the library). YOU ARE ALLOWED TO USE YOUR NOTES, ONLINE OUTLINES, AND TEXTBOOKS WHILE TAKING THE EXAM BUT YOU MAY NOT GIVE OR RECEIVE ASSISTANCE TO/FROM ANYONE AS THAT CONSTITUTES ACADEMIC DISHONESTY. ALL STUDENTS WILL BE REQUIRED TO SIGN A PLEDGE OF ACADEMIC HONESTY AT THE BEGINNING OF THE EXAM.

Tue Apr 05

Thu Apr 07

Tue Apr 12

Thu Apr 14

  • Author: Miguel de Cervantes, Text: Don Quixote de la Mancha. Read Chapters 1-8, 11, 18, 22, and 37-38 in Part I of the novel. From Part II read Chapters 73-74 (see Required Textbooks for details of the additional textbook you need for this topic -- notice not all of the assigned selections are in the anthology)

Tue Apr 19

Thu Apr 21

  • HOLY THURSDAY. NO CLASS

Tue Apr 26

Thu Apr 28

  • Don Quixote
  • Conclusions
  • Course Evaluations (bring a #2 pencil)

Tue May 03, 08:00-10:00 AM, HARPER 4053

  • STUDENT PROJECT PRESENTATIONS. ALL PROJECTS DUE AT THE TIME OF THE PRESENTATION.

Thu May 05, 10:00-11:40 AM, HARPER 4053

  • STUDENT PROJECT PRESENTATIONS. ALL PROJECTS DUE AT THE TIME OF THE PRESENTATION.

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