SPRING 1998

MLS 677: THE HERO AND FATE IN THE EPIC TRADITION

 

STUDENTS AND STUDENT WORK

CHRIS COLLINS

JOE KOKENGE

DERON LAWRENCE

 

COURSE DESCRIPTION

This course offers a thematic study of the heroic figure and the concept of fate in works ranging from ancient and medieval epics to modern novels and films. In conjunction with the exploration of the philosophical, religious and ethical underpinnings of epic narratives, attention will be given to characterizations of fate and free will, the individual and external (natural and moral) forces, causes and effects of human choices and actions, relations of self and other, personal responsibility, and ethical issues connected to heroic motivations and activity. Course requirements include reading and discussion of the texts as well as the undertaking, completion and presentation of a term project.

TEXTS

 

COURSE REQUIREMENTS

1) Term Project & Individual Project Presentation (50%)

All students will be required to undertake and complete a project which may be an original analytical paper or a creative work such as a short story, play, epic, romance, or set of lyric poems (10-15 written pages or equivalent). Also acceptable are substantial and original art works (painting, drawing, music, film, web sites, etc.). All creative options must be clearly related to and/or inspired by the class materials. All works must be original and created during and for the specific purposes of this course. Students will be asked to make a 10-15 minute presentation in class describing and/or performing their project. Projects are due on the day when the student is scheduled to make her/his individual presentation (see Schedule below for details). Students are strongly encouraged to consult with the instructor (well in advance of the deadline) regarding the acceptability and progress of projects. Students choosing to write a paper must follow the guidelines provided by the instructor (Writing Guidelines for Graduate Students).

2) Attendance and Class Participation (50%)

All students in the class are required to do the assigned reading, prepare for and attend class regularly and actively and constructively participate in class discussions and other activities.

See also Grading Criteria for Graduate Students

 

COURSE SCHEDULE

Mon Jan 19

Introduction (no reading required)

Tue Jan 27

Epic of Gilgamesh

Thu Jan 29

Epic of Gilgamesh

Tue Feb 03

Epic of Gilgamesh

Thu Feb 05

Epic of Gilgamesh

Tue Feb 10

NO CLASS

Thu Feb 12

Homer's Iliad

Tue Feb 17

Homer's Iliad

Thu Feb 19

Homer's Odyssey

Tue Feb 24

Homer's Odyssey

Thu Feb 26

Virgil's Odyssey

Tue Mar 03

Virgil's Aeneid

Thu Mar 05

Virgil's Aeneid

Tue Mar 10

SPRING BREAK

Thu Mar 12

SPRING BREAK

Tue Mar 17

Dante's Inferno

Thu Mar 19

Dante's Inferno

Tue Mar 24

Dante's Inferno

Thu Mar 26

Dante's Inferno

Tue Mar 31

Faulkner's As I Lay Dying

Thu Apr 02

Faulkner's As I Lay Dying

Tue Apr 07

Faulkner's As I Lay Dying

Thu Apr 09

Faulkner's As I Lay Dying

Mon Apr 20

Screening of Seven Samurai, dir. Akira Kurosawa, 5:30-9:00 PM, CA 305

Tue Apr 21

Seven Samurai

Thu Apr 23

Seven Samurai

Tue Apr 28

Student Presentations and Projects Due

Thu Apr 30

Student Presentation and Projects Due. Course Evaluations (bring a #2 pencil)