Nebraska Center for Writers

from GOODNIGHT, NEBRASKA
by Tom McNeal

THE SUPERNORMALIST

i

WHEN RANDALL HUNSACKER WAS THIRTEEN, his family moved from Salt Lake City to a canyon in the foothills, into a stilted five-room house perched above the tightest in a series of tight turns in the canyon's sharply descending road, so that from their front porch Randall's family often got a good view of cars pushed to the limits of control. The screech of tires, followed by the acrid and--to Randall's nose--exhilarating odor of burnt rubber, was an everyday occurrence. Randall himself hoped that one of these cars would spin out and perhaps roll over. He didn't exactly hope for human carnage, but he knew that in such cases it was sometimes unavoidable. Occasionally, if he was alone as a car passed by, Randall would make the ka-chunk ka-chunk ka-chunking sounds he imagined a rolling car would produce.
When a Buick Riviera carrying two people actually did miss the curve, Randall was disappointed he was not there to see it. It was an early July evening. He and his father were working late, painting somebody's guest house in Federal Heights. His mother had already begun her shift at the Ten Pin. His sister, Louise, was in the back of the house with a girlfriend, sitting at the kitchen table, thumbing through TV Guide and Glamour, talking about boys and haircuts. The man driving the Buick Riviera missed the curve completely, shot pell-mell up the embankment and without braking slammed through the spindly posts that supported the front porch, which dropped like a table leaf.
By the time Louise and her girlfriend rushed out the back door and came sliding down the bank, the driver, an oil man from Wyoming, and his passenger, a young woman wearing Levi's and dangly silver earrings, were laughing like maniacs. The driver's comic perspective of the event did not, however, keep him from filing legal actions one week later against Wasatch County and the builder of the house and Randall's parents for approval, construction and occupancy of a substandard structure within the county's required building setback. (In regard to the county, there were several ancillary charges involving such things as "inadequate signage precedent to a mortifyingly dangerous curve.")
From August to December, while this matter inched toward resolution, Randall's family entered the house either by scrambling up the side of the hill and coming around back or by climbing an ancient extension ladder to the front door (to improve stability, Randall's father strapped the ladder to stakes at its base and to the house above, but nonetheless, at its midsection, the ladder had the unnerving feel of a suspension bridge).
"An oil man, out sightseeing with a girl half his age, knocks out your front porch, then sues the bejabbers out of you," Randall's father said to Randall one day out of the blue as they were finishing up a job. He swung his characteristic half grin toward Randall. "Don't ever tell me it ain't a screwy ol' world."

Reprinted with permission
from Goodnight, Nebraska
Copyright © 1998
by Tom McNeal
Random House


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